Wicked Matriarchy behind the Scenes: On the Perfectionism of Women from Book to Screen through The Stepford Wives and Sharp Objects

Abstract

This thesis explores the intricate dynamics of gender oppression within American society, shedding light on a nuanced aspect often overshadowed in discourse: the phenomenon of "woman-woman oppression." While discussions typically focus on male-female oppression dynamics, this research ventures into the realm of feminine relationships, exposing how patriarchal constructs compel women to uphold traditional roles, often at the expense of their autonomy and well-being. Through an analysis of literary and cinematic works such as Ira Levin's "The Stepford Wives" and Gillian Flynn's "Sharp Objects," the study unveils the psychological ramifications of societal and familial pressures on women, elucidating how such oppression can drive some to violent extremes, particularly female serial killers targeting their own gender. The research underscores the significance of temporal shifts in media representations, illustrating their role in reshaping societal perceptions of women. Ultimately, the thesis posits that woman-woman oppression not only exists but also manifests dire consequences for women's mental health, sometimes culminating in acts of violence, emphasizing the urgency of addressing these complex dynamics within broader discussions of gender equality and societal progress.