Gothicism and Romance in Stephenie Meyer’s Twilight

dc.contributor.authorBousmaha, Aminaen_US
dc.date.accessioned2016-09-19T10:12:01Zen_US
dc.date.available2016-09-19T10:12:01Zen_US
dc.date.issued2016-09-19en_US
dc.description.abstract2 No other period in English literature shows more assortments in style, themes and substance than the Romantic Movement of the eighteenth and nineteenth centuries. Besides no period has been the theme of so much differences and perplexity over its characterizing standards, feel and sentimentalism, then can best be portrayed as a huge system of now and again contending methods of insight,plans and purposes of hobby. In England, Romanticism had its most noteworthy impact from the end of eighteenth century up to around 1870. Its essential vehicle of expression was in verse, in spite of the fact that writers embraced a hefty portion of the same subjects.en_US
dc.identifier.urihttps://dspace.univ-tlemcen.dz/handle/112/8913en_US
dc.publisherUniversity of Tlemcenen_US
dc.subjectGothicism- Romance - Stephenie Meyer’s Twilighten_US
dc.titleGothicism and Romance in Stephenie Meyer’s Twilighten_US
dc.typeOtheren_US

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