Metafiction in the Feminine Novel: Elizabeth Gaskell’s Wives and Daughters and Virginia Woolf’s Orlando

dc.contributor.authorHamza Reguig Mouro, Wassilaen_US
dc.date.accessioned2014-09-21T10:01:10Zen_US
dc.date.available2014-09-21T10:01:10Zen_US
dc.date.issued2014-09-21en_US
dc.description.abstractThe present research work is based on the study of two novels, Wives and Daughters by Elizabeth Gaskell and Orlando by Virginia Woolf. The purpose of this study is to analyse the discourse used by the two writers, a discourse which has a twofold aspect, it is feminine and feminist. Then we shed light on the status of the heroines in the feminine metafiction. The ultimate objective is to highlight the struggle of the two novelists against the British society which ignored all feminine production of that time.en_US
dc.identifier.urihttps://dspace.univ-tlemcen.dz/handle/112/5948en_US
dc.language.isoenen_US
dc.publisherUniversity of Tlemcenen_US
dc.subjectnovel, metafiction, dialogism, intertextuality, narration, feminist discourse, women’s writing.en_US
dc.titleMetafiction in the Feminine Novel: Elizabeth Gaskell’s Wives and Daughters and Virginia Woolf’s Orlandoen_US
dc.typeThesisen_US

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