The Woman and the Metaphysical Conceit in the Romanticised Postmodern Fairytales Frozen, Frozen 2 and Moana
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University of Tlemcen
Abstract
Born out of a challenging attempt to unravel the nature of the relationship and connectedness between the
woman and nature, hatched from years of research regarding the exploitation of the woman and the degradation
of the natural world, the present research work addresses the interrelation between the woman and nature in
the selected Walt Disney Princess movies of Frozen (2013), Frozen 2 (2019) and Moana (2016). Pertaining a
peculiar focus to the functioning of the woman/nature dichotomy, this study aims at revealing the way the
woman and the environment are perceived and treated in a completely patriarchal-dominated society.
Analyzing female characters endowed with an ecofeminist spirit and attitude, this study uses the feminist
ecological philosophy as the theoretical framework upon which women and nature relations are examined, the
environmental issues are divulged and the destroying patriarchal beliefs and patterns are exposed. As an entity
examined within the gender and ecological contexts, the work claims that there are environmental issues as a
result of the dominating patriarchal system. Indeed, the Frozen franchise and Moana highlight an occurring
natural destruction due to male domination; a one which confines and subverts both of the woman and nature.
Accordingly, the study demonstrates that the female characters of the selected movies sustain a fundamental
role in repairing the existing natural devastation. Throughout feminine values of care and nurturing, the
environmental universe is restored. Admittedly, the study reveals the female characters as powerful and
determined women fuelled by an oppressive system to bring about change to a long muffled and oppressed
world. In a long way towards nature empowerment, the study shows that the female heroines represent an
appeal to maturity, and experience an unprecedented journey of self-discovery, affirmation and emancipation.
Therefore, the result of the study projects the female characters as empowering leaders capable of restoring the
natural world and establishing balance and harmony between humanity and the environment. Certainly, these
female leads highlight triumphs of unconditional, female familial love without a male presence, glorifies
female bonding and redefines values attributed to female’s femininity and males’ masculinity.