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Élément Dublin Core | Valeur | Langue |
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dc.contributor.author | Bousmaha, Amina | - |
dc.date.accessioned | 2016-09-19T10:12:01Z | - |
dc.date.available | 2016-09-19T10:12:01Z | - |
dc.date.issued | 2016-09-19 | - |
dc.identifier.uri | http://dspace.univ-tlemcen.dz/handle/112/8913 | - |
dc.description.abstract | 2 No other period in English literature shows more assortments in style, themes and substance than the Romantic Movement of the eighteenth and nineteenth centuries. Besides no period has been the theme of so much differences and perplexity over its characterizing standards, feel and sentimentalism, then can best be portrayed as a huge system of now and again contending methods of insight,plans and purposes of hobby. In England, Romanticism had its most noteworthy impact from the end of eighteenth century up to around 1870. Its essential vehicle of expression was in verse, in spite of the fact that writers embraced a hefty portion of the same subjects. | en_US |
dc.publisher | University of Tlemcen | - |
dc.subject | Gothicism- Romance - Stephenie Meyer’s Twilight | en_US |
dc.title | Gothicism and Romance in Stephenie Meyer’s Twilight | en_US |
dc.type | Other | en_US |
Collection(s) : | Master en Anglais |
Fichier(s) constituant ce document :
Fichier | Description | Taille | Format | |
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Gothicism and Romance in Stephenie Meyer’s Twilight.pdf | 2 MB | Adobe PDF | Voir/Ouvrir |
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